The King Of Pop, Popped

Michael Jack­son is dead. Which is strange because if there was ever a strange, girl-like pop star that I thought would live for­ever it would be him. He was a musi­cal genius for 15–20 years and then an eccen­tric pedophile for another 15 or so. Quite a career. From the CNN arti­cle, Rev­erend Al Sharpton:

Michael Jack­son made cul­ture accept a per­son of color,” the Rev. Al Sharp­ton said. “To say an ‘icon’ would only give these young peo­ple in Harlem a frac­tion of what he was. He was a his­toric fig­ure that peo­ple will mea­sure music and the indus­try by.”

Yeah, Al but what color exactly? Dude was beige in his later years and last I checked that’s not a hip color in Harlem. Sigh.

Bet­ter still, Swin­dle:

The hard part about memo­ri­al­iz­ing a pedophile who made awe­some music for a fif­teen year period in his life is this: he is respon­si­ble for the ten stroke drum intro to “Rock With You,” the song that always played in my head in 1981 when Papa Swin­dle drove the Caprice Clas­sic through down­town Atlanta on the way to a Braves game. And then: he also gave some kids a trust fund the hard way.

I dressed up as Michael for Hal­loween one year because his “Beat It” years were that influ­en­tial (not to be con­fused with his “Beat It While Hav­ing The Neigh­bor­hood Kids Over To Nev­er­land” years, a slightly less influ­en­tial but still impor­tant era). I don’t think I got much candy that year. I had the jacket and the glove and the sad white kid attempt at walk­ing back­wards while mak­ing it look like you were walk­ing for­wards, a move so unbe­liev­ably awe­some at the time that it was a har­bin­ger of my 9 months of break­danc­ing on card­board boxes on the street cor­ner. I’ve never been one of the cool kids.

Of course, he hasn’t been rel­e­vant since I was in high school so I’d be hard pressed to say he meant much to me. Still, it’s a lit­tle weird that he’s dead. I always thought he had turned into a zom­bie around 1995.

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